Random access: have you been burned by fearful technology companies? - Professional
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American Music Teacher , August-Sept, 2002 by George F. Litterst
Imagine that your day starts like this: The alarm goes off at the usual time.
You stumble out of bed, and to use your electric toothbrush; however, it refuses
to run. Why? Because it was not authorized to operate in your mouth! Yesterday,
your spouse "authorized" the electric toothbrush for his or her mouth. Even though
you are using your personal brush attachment, the device refuses to run.
After reverting to the old-fashioned manual toothbrush, you head downstairs to
the kitchen and throw a couple Pop-Tarts into the toaster. The toaster refuses to
warm up. Why? Its internal sensors note that you have not inserted specially constituted
bread (marketed by the toaster company) for which the toaster was designed and authorized.
Then you go to the refrigerator. Of course, the door won`t open until you punch
in your sixteen-digit serial number that proves you actually purchased the refrigerator
from an authorized dealer.
It is a little tricky to enter the code correctly this early in the morning,
but after the third try, the door opens. At last, something is going right!
Fact or Fiction?
This may seem a bit absurd, but it represents the beginning of a typical day
if most companies followed the same policies and procedures that are commonplace
in the technology field.
When I purchase and start to use a new piece of music technology, I often am
amazed to find that my new purchase both empowers and limits me! Worse, I often
find the limitations are not limitations of the technology itself, but are the result
of deliberate attempts by the manufacturer to cramp my use of its product.
My Personal Experiences with the Dark Side of Music Technology
With borrowed money and great enthusiasm, I purchased my first computer in 1984.
Although it enabled me to do little more than type, edit and work with simple, black-and-white
graphics, I felt empowered! As each new business or music software program became
available, I felt my professional activities had been given new wings. Then, one
day, I ran into the first of many technology companies trying to limit my use of
its product.
The time was the late 1980s. Apple Computer had introduced the LaserWriter printer.
As a result, word processing had finally reached near professional levels for the
average person. Shortly after the introduction of the LaserWriter, a company specializing
in high-resolution text fonts created a high-quality font consisting of music symbols.
The introduction of this font marked the beginning of the new era in personal desktop
publishing for music.
I was excited and quickly acquired a copy. Then, to my horror, I discovered there
was a catch: You could only use your copy of this font with a single printer! Believe
it or not, the creators of this font actually had come up with a scheme that locked
your use of this font to the first printer with which you used it!
The moment that I realized this, I became incredulous. As best I can recall,
the LaserWriter printer cost well over $4,000, and very few people in my situation
could afford to purchase their own. Most of us had to rely on laser printers to
which we had access at schools or service bureaus. In many cases, people like me
would end up printing on different printers from one day to the next. How could
we afford to use this new music font if we had to purchase a new copy each time
we printed to a different printer?
Shortly after discovering this dilemma, I came up with a successful scheme for
defeating the built-in copy protection that came with the font.
The font came on a copy-protected floppy disk. When you downloaded the font to
the printer for the first time, the downloading program required you to insert the
floppy disk containing the font into the computer in an unlocked condition. Then,
the downloader program wrote an invisible piece of information to the disk, forever
tying one`s use of the disk to that particular printer.
Although I could make a copy of my original, uncorrupted disk, the font downloading
program was smart enough to know the disk on which the font resided was actually
a copy and refused to use it if I started the process from the copy. However, I
discovered there were many steps to the download process; I could start with the
original disk, remove it from the disk drive at a crucial moment and then substitute
my copy without this obnoxious program realizing what I was doing. At that point,
the downloader program wrote its invisible information to the copy and left my original
disk in its pristine condition.
Fortunately, this stupid copy-protection idea did not last. The company making
the font discovered it could not build its business by severely crippling its customers
and abandoned this scheme within the next year. In fact, the entire computer industry
subsequendy began moving away from copy-protection schemes--except the music companies
and many of the game companies.
My next, nasty encounter with a company trying to limit my legitimate use of
its product actually resulted in public embarrassment for the company. The company
in question made a sequencing program for the computer. To run the program, you
had to use the original floppy disk to install the program and an invisible key
file onto your hard drive. Once you installed the program and key file, you could
not install either on another computer without uninstalling the key file from the
first computer. Alternatively, you could run the program from the floppy disk using
any computer if you kept the floppy disk unlocked and inserted into the disk drive.
3- 4-
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Project index
- Extensis Launches Suitcase Fusion ” the Future of Font Management; Suit
- Modifying Font Size
- Embedding Fonts in Web Pages
- ORGANIZE/PRINT FONT LIBRARY WITH PRINTER`S APPRENTICE 7.5
- Pounds 79,000 cathedral font drawing found in barrow
- Samsung Licenses Font Fusion from Bitstream - Samsung Electronics Company L
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- Font Box 2.6 gains speed, gets a face lift - Insider Software`s font man
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- Trouble with Typefaces, The
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- FontAgent Pro Gets Improved Font Handling
- Random access: have you been burned by fearful technology companies? - Professi
- Font Reserve to hit Version 2 - DiamondSoft`s Font Reserve 2.0 - Product Announcement
- DEVANAGARI FONT
- Martin Stein joins Extensis as Senior Product Manager; Seasoned Apple and Q
- Extensis Ships Suitcase and Font Reserve Plug-ins for Adobe InDesign CS2;
- Microsoft`s Font Foibles
- Your Ph.D. in Fonts - using fonts in marketing materials and business correspond
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- Bitstream Receives Chinese Government Approval for GB18030 Font
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- Corel Partners With Bitstream To Provide Next-Generation Font Support For Li
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- Free&Easy Font Viewer 1.2
- Font utility 28.03
- Advanced Fonts Viewer 1.8
- Free&Easy Font Viewer 1.2
- FontsShow 2.0
- X-Fonter 6.1
- Advanced Font Viewer 3.1
- Font viewer free for use 11.05
- FontView 1.1
- Free&Easy Font Viewer 1.2
- Fonter viewer 2.3
- Font viewer free for use 11.05
- xp font viewer 2.2
- Font Viewer 1.3
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- FontPage 2.0.6
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- Fast Font Set 1.10
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- FontsShow 2.0
- Font Viewer 1.3
- Advanced Font Viewer 3.1
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- Free&Easy Font Viewer review
- Font Printer 2.5
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